Lincoln Theater, Raleigh, NC
May 28, 2009
As mentioned before the drive to this part of NC is not particularly beautiful. We found ourselves amused at the various billboards. Luckily good company saves a boring drive. H and I talked about a lot of things....various issues we've been dealing with, music, and our future in Charlotte. I love being alone with H, and as much as I like going to shows with a load of friends, I still relish these times when it just he and I. We don't get many moments like these and we enjoy them as they come. Of course I was getting nervous because it was getting later, doors opened at 8, and when 8 rolled around we were still a half hour from Raleigh. H was his usual cool self "We'll be fine." But I knew the show had been sold out, and worried about the place being too packed to get a decent place to stand. I have a tendency now to want to be real close....
When we arrived in Raleigh (with is miniature cityscape), the storm had calmed. As we turned down the side street to the venue, we both moaned. There was no parking in the lot next to the club, and the line at the door extended a ways down the sidewalk. And the crowed, as predicted by my friend, was pretty much what I'd classify as hipster (too cool to be cool). We parked next door in a parking garage, and went to join our place in the too cool to be cool line. Once inside, it was packed but everyone was quite involved in drinking at the bar/concession stand. I was already not liking the vibe of the venue. It felt like a theater not a club.
We got our places at the front. Before us were a line of young girls who looked like they had just been released from high school. Opening act was a bit much. A guy playing a couple of different kinds of saxophones accompanied with these kind of annoying mouth clicks. Not my thing but the girls were front were all ga/ga over him. But they seemed like they would have been ga/ga over pretty much anything that went on on the stage. H translated the various sounds "Elephant dying." I did good and did not laugh out loud. I try to be somewhat respectable towards the opening acts even if I don't much like them.
Finally, the torture we had to endure to hear the National was over, and we waited impatiently while the roadies set up the instruments. The crowd was getting restless and pushing towards the front. Every time someone came onto the stage from the wings, the crowd would scream. H and I just looked at each other a bit horrified. This felt too much like an arena show as opposed to a little club with an indie band. We also found ourselves having to defend our spots, as more drunken fans kept pushing their way through...I figured we had earned our spots by listening to the opening act, and held strong against the pushing and swaying.
Finally, the National came on. Matt Berninger came out with a bottle of wine. And he was already swaying when he took the mike. They opened with a new song which I thought was ballsy. It was good but his voice did not sound anything like it did on Boxer. It was closer to the sound on Alligator but still...I don't know why singers feel this need to modify their voices in the studio. It makes for a big disconnect with the audience. Although this audience didn't seem to notice/care. They were screaming things like "I love you!!!" It was very disconcerting as I haven't been to a show like this since I saw Radiohead last year.



When Matt threw himself into the audience was when I began to feel like maybe I had mistakenly entered a Jonas Brothers' concert. The crowd surged around him, touching him, taking photos right in his face, screaming out how much they loved him. He pushed his way by me, and was mangled by squeaky voice girl who refused to let go of him, and had him in a modified head lock at one point. Matt looked desperately at H, and I stepped between him and the girl so she had to let go. He hugged H, and then started to make his further back. I was in the line of the mike cord so I was holding it up. The roadie was mouthing to me that there was no more give. I was thinking "Ok what the hell do you want me to do?" So I started reeling Matt back to the stage, where he stumbled through, hugging H once more, and then climbed back up. At the end of this little routine, once the music stopped, he stood there swaying, and then pointed at me and said "Happy birthday." Everyone around turned to look at me, and I am sure I looked utterly dumbfounded as it wasn't my birthday and I didn't know the guy any better than the rest of the them. He meant to say happy birthday to trumpet players but in his drunken haze wished me one instead.


1 comment:
Damn, girl, sounds like you're getting ... too ... old!
Kathy and I went to a show once, long ago, before we WERE old, and had what seems a similar experience: a good part of the time we were like what are we doing here? Who are these children? WTF is WRONG with them?
Three nights later we went to a classical concert. Same us, same clothes, same buzz, same everything. And whaddya know? We could hear every note. People said excuse me. Stuff like that. Can't say the music was better, but ...
And drunken performers are a drag. Went to hear Michael Bloomfield once (I assume you'll have to look him up ...). He was falling all over the place. It was embarrassing. I wanted to stop the set and drive him home ...
Post a Comment