The Grey Eagle, Asheville, North Carolina
October 20, 2008
There is a certain stretch of highway as one drives up the mountains that opens up the sky. You're driving along, darkened forest, and suddenly a blast of red, orange, gold blinds you as what feels like the world opens up on you offering glorious expanse of mountain and that blazing sunset. It's becoming a deja vu sight as this is the third time I've headed to Asheville for a show just in the past year. This time I went up with my friend Amber. D and H both had childcare duties...plans fell through so it was a ladies' night out. I was disappointed that the guys couldn't make it but it was great to get to now Amber better, and I felt we left each other as friends. Always a good feeling.
I hung around outside, it was freezing but I get to smoke during shows...Jim, from All Saints, came out and talked with me. We talked about music and venues. Then Oliver came out, and I went through my silly fan girl thing...should I talk to him? Should I not? I finally did, and he claimed to remember me, and I got a hug. Okay I have to admit...I do have a big crush on the guy. I just can't help myself. He was still sweet, so nice to know that touring with NIN has not turned him into a superstar.
Finally, the moment came. I staked out a spot right in front of where Oliver would play, and held my ground. I didn't mind waiting because from the first screeching wave of feedback, I was gone. I've come to the conclusion that I'm one of those people who likes to be assaulted by music. There's something about that sound slamming against me that lifts me. It's raw and hard and I like that but then APTBS does something else, something not softer but more sensual. Some of it is Oliver's voice which comes to you so indirectly under that pounding assault. Last time, I found myself wanting to hear him louder but this time, there was something so intense about hearing that voice coming through this sheer noise that left me breathless. It was such an unlikely combination but one that worked well. And his voice sounded even better this time around. And then some of it is the melody that comes through the feedback, and the screaming of wires being ripped across guitar strings. I could always make out the songs, could sing them from memory, pull them out of my head as I felt my body literally being vibrated by the sound. There was a familiarity even as Oliver and crew worked their magic creating new sounds, new ways of playing the songs, because underneath there was this core sound that I knew.
I found myself thinking about floating in the ocean in Vera Cruz. I have always been a little scared of the ocean. I'm terrified of drowning anyway, and the vastness of the ocean does not make me comfortable. But in Vera Cruz I found myself floating in these warm gentle waves, being lulled by this gentle motion but even as I allowed myself to feel this embrace, I found myself always aware of the power that rocked me. It was a pleasurable moment but not a safe moment.
I got to say goodbye to Oliver (and even get one more hug...which you all know I am not going to bitch about) and I got to get all fan girl on JonoMofo (or "I'm Jonathan"). He's nice as well as being an incredible bassist. And he totally sounds like he's from Brooklyn (a wee bit of sarcasm here).He remember me as the reviewer who thought he was "Mugging it up for the cameras." But he graciously allowed me a picture, and even invited Amber and I to the party at the bar later (can I even began to describe my disappointment in not being able to go?