Monday, September 24, 2007
YeeHaw
Sunday, September 23, 2007
Saturday, September 22, 2007
The Woman In the Doorway
Tedious Mornings, or Everyday Is Like Sunday
We're Legal and Other News
Second, I bought a whole curriculum instead of just a math curriculum. H and I both decided that we were committed to homeschooling. This has been reinforced with me since beginning Foucault's Discipline and Punish. The book should be required reading for anyone with school aged children. Schools are meant to create good workers and good citizens. This is not something we want for any of our children. And yes I am aware that there many who don't have the ability to make the choice we have, which means that yes, I will continue to fight for better public education. I am not unaware of my revolutionary duties. But that said, and I will write more about the Foucault, etc....I bought a full year curriculum that covers all subjects. H felt more comfortable having each day laid out, and I knew that it was crazy to think that I could write my own curriculum on my already budgeted time. So we got a gentle curriculum called Oak Meadow.
Thursday, September 20, 2007
Cruelty
Wednesday, September 19, 2007
Heaven Knows I Really
Monday, September 17, 2007
Misery For the Road
Saturday, September 15, 2007
Friday, September 14, 2007
Moving Bodies
"After all, I would be willing to admit that Sade formulated an eroticism proper to a disciplinary society: a regulated, anatomical, hierarchical society whose time is carefully distributed, its spaces partitioned, characterized by obedience and surveillance.
It's time to leave all that behind, and Sade's eroticism with it. We must invent with the body, with its elements, surfaces, volumes, and thickness, a non-disciplinary eroticism: that of a body in a volatile and diffused state, with its chance encounters and unplanned pleasures...Too bad then for the literary deification of Sade, too bad for Sade: he bores us. He's a disciplinarian, a sargeant of sex, an accountant of the ass and its equivalents." Foucault in Foucault Live
The Smiths were for me, as they were for most people into punk and indie music, an important foundation in my musical education. I was in my early teens when "How Soon is Now" got airplay in Maine. I liked it as I did "Panic" but kept it quiet as I was a metal head. Metal heads were not supposed to like pop. I also kept secret my love for Talking Heads. But I listened to them a lot during those early years. Then as I got into progressively heavier, industrial music, I let them go. Later when I started to do "goth" I got into Morrsisey. How could you not be goth and not love his tortured insecurity? But again, it was not quite hardcore enough for my taste.
Thus when H checked out a Morrissey CD, I was only mildly interested. I'll be honest, the first few times, I listened, I thought "Argh. It's so poppy sounding." But something happened a few weeks ago. The music crawled inside me. I felt that it was penetrating my body, and the more it entered me, the more armoured I became. His voice stopped sounding silly and began to sound sexy. The vocal plays he makes started to give me goosebumps. I found my body moving almost unconsciously. And as the sound began to possess me, the words haunted me. The loneliness, the vulnerability, and the intelligence spoke to me. Here was someone who cared about the words he put on his paper. Morrissey, it seemed to me, saw himself as a writer not just a rock star.
But love? Love came when I saw a video of his performances. Love came when I saw his body moving. It was unexpected. He's not a particularly handsome man, at least for me. He's big, bulky. The kind of person who leans towards fat as they get older. His jaw line reminds me of that stereotypical image of boxers. He looked like a meat head, a jock. But then I saw him move. I saw his gestures, the way he moved his hands. The way his body moved to the music. Unplanned, I fall in love...with a stranger. A famous stranger. I feel in his love with his fingers, his hands. I feel in love with the way his body undulates on the stage. With his old school theatrical gestures: the swept out arm that embraces the audience. The way he falls to the floor is enough to make me feel a bit weak. He has a way of looking out into a crowd of thousands of people, and making them all feel he's touched them. This unplanned love embarrasses me slightly. I'm still kind of stunned, that I cheap girl that I am, paid 80 to see him live. But I feel that I have to see him. I have to watch his body. I have to see him sing in the flesh.
And this is what amazes me about love, lust, even friendship. There is something about physicality that strikes me as vital in any relationship. As close as I feel to you, my dear readers, as much as I love to play with you, I need to know you in ways that not possible over the internet. There is something about encountering a body, be it from a distance or from nearby, that creates an unplanned intimacy. I shield myself from this, and this is what keeps me from fully embracing many people. If I threw myself open, I feel I would die from the intensity. But still I need this encounter. I want to feel the brush of hands on mine. I want to sit across from you and talk to you. I want to feel what will come, unplanned and maybe even unwelcomed. When this happens then I feel I will know you. I don't want to just know the sterilized mind but the messy body. I want to smell sweat, and the food you ate for lunch. I want the electric caress of attraction or the cold crawl of repulsion. There is only a half knowing without the body. I crave chance encounters. I want the unexpected shock of lust. It doesn't mean one has to act on it but rather that one opens oneself to what other bodies say and do.
This is a knowledge that both kills and gives live.
Thursday, September 13, 2007
To A Lover
"To know life is given only to that derisory, reductive, and already infernal knowledge that only wishes it dead. The Gaze that envelops, caresses, details, atomizes the most individual flesh and enumerates its secret bites is that fixed, attentive, rather dilated gaze which, from the height of death, has already condemned life." Foucault in The Birth of the Clinic
Lying down before me, your body spreads beneath my gaze. I start at your feet, the less obvivoius place to begin such an inventory. The rough callous bottoms of short, hairy toes. The chipped nails, the one nail too long, the discoloring that comes from age. The veins rise up beneath your skin, pushing like worms through rain drenched soil. They form rivers and tributaires that divide that thin flesh into islands. The corase black hair of your legs begins to grow about the slightly protuding bump of your ankle. I part the hair to reveal hidden scars. Long, white, uneven stories of the past. Up to your knee, that rounded bump, smooth when your leg is flat. Now it's raised to cover the vulnerable softness behind. Your thighs are smooth, and strong with the muscles taut, and defined. They rise up in the front to the side making a small valley between outer and inner. And then my eye searches out that part we are told to keep secret. Right now, under my gaze, your dick is hard, standing erect from the bed of soft hair on your crotch. Your balls hang down, nestled against the start of your ass. You are curcumised, lost the protection of that extra layer of skin at an early age. The thigh creases where it joins the hip, and at the hip once can once again see bone. You are thin so the hipbone juts out, dangerous edges. Your stomach is taut, and moves slightly as you lay beneath me. The muscles are not so well-defined here but I can still make the ridges they form to the sides. Your chest is smooth with only a slight covering of hair between your breasts. Your nipples are hard nuts set in a brown pool. Your hands, lying loosely, at your side are spread out. They are long and big with even longer fingers. Your nails are short, cut, and clean. There is a bit of hair on the top of each hand. Your arms seem too long for you body, even for such a long body as yours. They are slender with the muscles defined delicately from the wrist to the shoulder. Your shoulders with that lovely cup of a clavicle entrall me but only for a moment. I must not lean down to sip from that depth. No, I must continue my inventory. Up the eyes go, sweeping over your neck, where the pulse beats so heavy it moves the skin.
Your face. The doorway to the soul they say. I say "Why the face?" Why not the lower body? Why not that clavicle? Why not the tiny bump of your wrist? But still your face is beautiful. The cheekbones, wide and flat, cup a strong nose. Your mouth with its thick lips, opened ever so slightly so that I can your teeth. Normal teeth, all staright, ready to bite. Your eyes are blackness so dark that there is no bottom. They slant ever so slightly to the sides. Above thick brows all rising to a forehead that is almost too big but not quite. Your hair is black but not silk....it's too heavy, to thick for silk.
My inventory is done. I have mapped this body as one would map a land. I have traced its bounardies with my surveying Eye. I want to claim it as my own. If I am the author of this map, who can take it from me? But sometimes, after we've fucked, I wish I could crawl inside. There is beanth that skin a secret world. I can hear it sometimes when I lie my head against his heart. But sometimes it does not feel like enough.
This kind of knowing kills.
Monday, September 10, 2007
And Be Ye Healed
Friday, September 07, 2007
Whiny Ginger Post
City of Steeples
The sex store we visited. Umberto was bummed he couldn't go into this toy store. It was very classy. And yes, I bought something but there are some secrets a girl needs to keep.
Wednesday, September 05, 2007
On the Road...
England comes to us...Ernesto, you there?
How I Feel Today
I have spent the whole day listening to Morrissey Live at Earl Court. I've been listening to this album a great deal but today...I don't know, it's moving something deep within me. Perhaps it's nostalgia? The music is wakening some kind of longing that has no words.
