Saturday, September 22, 2007
The Woman In the Doorway
Tedious Mornings, or Everyday Is Like Sunday
We're Legal and Other News
Second, I bought a whole curriculum instead of just a math curriculum. H and I both decided that we were committed to homeschooling. This has been reinforced with me since beginning Foucault's Discipline and Punish. The book should be required reading for anyone with school aged children. Schools are meant to create good workers and good citizens. This is not something we want for any of our children. And yes I am aware that there many who don't have the ability to make the choice we have, which means that yes, I will continue to fight for better public education. I am not unaware of my revolutionary duties. But that said, and I will write more about the Foucault, etc....I bought a full year curriculum that covers all subjects. H felt more comfortable having each day laid out, and I knew that it was crazy to think that I could write my own curriculum on my already budgeted time. So we got a gentle curriculum called Oak Meadow.
Thursday, September 20, 2007
Cruelty
Wednesday, September 19, 2007
Heaven Knows I Really
Monday, September 17, 2007
Misery For the Road
Saturday, September 15, 2007
Friday, September 14, 2007
Moving Bodies
"After all, I would be willing to admit that Sade formulated an eroticism proper to a disciplinary society: a regulated, anatomical, hierarchical society whose time is carefully distributed, its spaces partitioned, characterized by obedience and surveillance.
It's time to leave all that behind, and Sade's eroticism with it. We must invent with the body, with its elements, surfaces, volumes, and thickness, a non-disciplinary eroticism: that of a body in a volatile and diffused state, with its chance encounters and unplanned pleasures...Too bad then for the literary deification of Sade, too bad for Sade: he bores us. He's a disciplinarian, a sargeant of sex, an accountant of the ass and its equivalents." Foucault in Foucault Live
The Smiths were for me, as they were for most people into punk and indie music, an important foundation in my musical education. I was in my early teens when "How Soon is Now" got airplay in Maine. I liked it as I did "Panic" but kept it quiet as I was a metal head. Metal heads were not supposed to like pop. I also kept secret my love for Talking Heads. But I listened to them a lot during those early years. Then as I got into progressively heavier, industrial music, I let them go. Later when I started to do "goth" I got into Morrsisey. How could you not be goth and not love his tortured insecurity? But again, it was not quite hardcore enough for my taste.
Thus when H checked out a Morrissey CD, I was only mildly interested. I'll be honest, the first few times, I listened, I thought "Argh. It's so poppy sounding." But something happened a few weeks ago. The music crawled inside me. I felt that it was penetrating my body, and the more it entered me, the more armoured I became. His voice stopped sounding silly and began to sound sexy. The vocal plays he makes started to give me goosebumps. I found my body moving almost unconsciously. And as the sound began to possess me, the words haunted me. The loneliness, the vulnerability, and the intelligence spoke to me. Here was someone who cared about the words he put on his paper. Morrissey, it seemed to me, saw himself as a writer not just a rock star.
But love? Love came when I saw a video of his performances. Love came when I saw his body moving. It was unexpected. He's not a particularly handsome man, at least for me. He's big, bulky. The kind of person who leans towards fat as they get older. His jaw line reminds me of that stereotypical image of boxers. He looked like a meat head, a jock. But then I saw him move. I saw his gestures, the way he moved his hands. The way his body moved to the music. Unplanned, I fall in love...with a stranger. A famous stranger. I feel in his love with his fingers, his hands. I feel in love with the way his body undulates on the stage. With his old school theatrical gestures: the swept out arm that embraces the audience. The way he falls to the floor is enough to make me feel a bit weak. He has a way of looking out into a crowd of thousands of people, and making them all feel he's touched them. This unplanned love embarrasses me slightly. I'm still kind of stunned, that I cheap girl that I am, paid 80 to see him live. But I feel that I have to see him. I have to watch his body. I have to see him sing in the flesh.
And this is what amazes me about love, lust, even friendship. There is something about physicality that strikes me as vital in any relationship. As close as I feel to you, my dear readers, as much as I love to play with you, I need to know you in ways that not possible over the internet. There is something about encountering a body, be it from a distance or from nearby, that creates an unplanned intimacy. I shield myself from this, and this is what keeps me from fully embracing many people. If I threw myself open, I feel I would die from the intensity. But still I need this encounter. I want to feel the brush of hands on mine. I want to sit across from you and talk to you. I want to feel what will come, unplanned and maybe even unwelcomed. When this happens then I feel I will know you. I don't want to just know the sterilized mind but the messy body. I want to smell sweat, and the food you ate for lunch. I want the electric caress of attraction or the cold crawl of repulsion. There is only a half knowing without the body. I crave chance encounters. I want the unexpected shock of lust. It doesn't mean one has to act on it but rather that one opens oneself to what other bodies say and do.
This is a knowledge that both kills and gives live.
Thursday, September 13, 2007
To A Lover
"To know life is given only to that derisory, reductive, and already infernal knowledge that only wishes it dead. The Gaze that envelops, caresses, details, atomizes the most individual flesh and enumerates its secret bites is that fixed, attentive, rather dilated gaze which, from the height of death, has already condemned life." Foucault in The Birth of the Clinic
Lying down before me, your body spreads beneath my gaze. I start at your feet, the less obvivoius place to begin such an inventory. The rough callous bottoms of short, hairy toes. The chipped nails, the one nail too long, the discoloring that comes from age. The veins rise up beneath your skin, pushing like worms through rain drenched soil. They form rivers and tributaires that divide that thin flesh into islands. The corase black hair of your legs begins to grow about the slightly protuding bump of your ankle. I part the hair to reveal hidden scars. Long, white, uneven stories of the past. Up to your knee, that rounded bump, smooth when your leg is flat. Now it's raised to cover the vulnerable softness behind. Your thighs are smooth, and strong with the muscles taut, and defined. They rise up in the front to the side making a small valley between outer and inner. And then my eye searches out that part we are told to keep secret. Right now, under my gaze, your dick is hard, standing erect from the bed of soft hair on your crotch. Your balls hang down, nestled against the start of your ass. You are curcumised, lost the protection of that extra layer of skin at an early age. The thigh creases where it joins the hip, and at the hip once can once again see bone. You are thin so the hipbone juts out, dangerous edges. Your stomach is taut, and moves slightly as you lay beneath me. The muscles are not so well-defined here but I can still make the ridges they form to the sides. Your chest is smooth with only a slight covering of hair between your breasts. Your nipples are hard nuts set in a brown pool. Your hands, lying loosely, at your side are spread out. They are long and big with even longer fingers. Your nails are short, cut, and clean. There is a bit of hair on the top of each hand. Your arms seem too long for you body, even for such a long body as yours. They are slender with the muscles defined delicately from the wrist to the shoulder. Your shoulders with that lovely cup of a clavicle entrall me but only for a moment. I must not lean down to sip from that depth. No, I must continue my inventory. Up the eyes go, sweeping over your neck, where the pulse beats so heavy it moves the skin.
Your face. The doorway to the soul they say. I say "Why the face?" Why not the lower body? Why not that clavicle? Why not the tiny bump of your wrist? But still your face is beautiful. The cheekbones, wide and flat, cup a strong nose. Your mouth with its thick lips, opened ever so slightly so that I can your teeth. Normal teeth, all staright, ready to bite. Your eyes are blackness so dark that there is no bottom. They slant ever so slightly to the sides. Above thick brows all rising to a forehead that is almost too big but not quite. Your hair is black but not silk....it's too heavy, to thick for silk.
My inventory is done. I have mapped this body as one would map a land. I have traced its bounardies with my surveying Eye. I want to claim it as my own. If I am the author of this map, who can take it from me? But sometimes, after we've fucked, I wish I could crawl inside. There is beanth that skin a secret world. I can hear it sometimes when I lie my head against his heart. But sometimes it does not feel like enough.
This kind of knowing kills.
Monday, September 10, 2007
And Be Ye Healed
Friday, September 07, 2007
Whiny Ginger Post
City of Steeples
The sex store we visited. Umberto was bummed he couldn't go into this toy store. It was very classy. And yes, I bought something but there are some secrets a girl needs to keep.
Wednesday, September 05, 2007
On the Road...
England comes to us...Ernesto, you there?
How I Feel Today
I have spent the whole day listening to Morrissey Live at Earl Court. I've been listening to this album a great deal but today...I don't know, it's moving something deep within me. Perhaps it's nostalgia? The music is wakening some kind of longing that has no words.
Tuesday, September 04, 2007
A Taste
Monday, August 27, 2007
Breathing
Thursday, August 23, 2007
Drunks
A Children's Game
Listen to the poet Sanai,
who lived seculuded: "Don't wander out on the road
in your ecstasy. Sleep in the tavern."
When a drunk strays out to the street,
children make fun of him.
He falls down in the mud.
He takes any and every road.
The children follow,
not knowing the taste of wine, or how
his drunkness feels. All people on the planet
are children, except for a very few.
No one is grown up except those free of desire.
....
Gone, inner and outer,
no moon, no ground or sky.
Don't hand me another glass of wine.
Pour it into my mouth.
I've lost the way to my mouth.
The wine we drink is our own blood.
Our bodies ferment in these barrels.
We give everything for a glass of this
Tuesday, August 21, 2007
Ginger's Emporium
I've begun reading Foucault. No doubt I'll move from my overload of posts on Deleue to an overload of posts on Foucault. Hold onto to your hats...
My dad called last night to wish me happy birthday. He told me this story: Your grandmother always said she was full blooded Native American. Her dad was on the tribal elders of the Passamaquoddy tribe in the North [of Maine].
Who knows if this is true. My family is on the dark side but I doubt if my grandmother was full-blooded as my Dad claims. Someone traced her to the MacArthur's who landed in Nova Scotia from Scotland. Someone married someone name Helen Smith (who is my great grandmother) there but there's no record of her birth, etc. I'm not sure if maybe somehow she moved to Maine and hooked up with the Passamaquoddy tribe? My dad also my grandmother remembers going to the reservation with her father who is listed as an MacAruthur. It's so convulted...these memories and stories.
And finally a wonderful quote about vinyl from the dark mind of John Rebus via Ian Rankin. For a bit of context, Rebus is left his brother's albums after his brother's death.
Rebus had waved him good-bye and stared at the gift. Then he'd eased himself down onteh floor beside the boxes and started going through them: a mono Sergeant Pepper,Let It Bleed with the Ned Kelly poster, a lot of Kinks and Taste and Free...some Van der Graaf and Steve Hillage. There were even a couple of eight-track cartridges--Killer by Alice Cooper; a Beach Boys album. A treasure trove of memories. Rebus placed the sleeves beneath his nose--the very smell of them took his back in time. Warped Hollies singles, left too long on the turntable after a party...a copy of "Silver Machine" with Mickey's writing on it--This Belongs to Michael Rebus--Paws Off!!!
And Quadrophenia, of course, its corners creased, the vinyl scarred but still playable.
Sunday, August 19, 2007
35
35 years ago I was born to parents who were too young. I'm not sure if they really wanted me. I suspect my arrival for them was an ambigious arrival. My grandmother assured me that my birth was one meant with anticipation and excitment: "I remember the day you were born. You were the first grandchild. We were so excited." But I wonder who that we included....Still it doesn't matter in some ways. I am here now.
And I got to dress up!
And best of all, was H. My wonderful husband who took me out, and gave me the best present of all the morning.



Saturday, August 18, 2007
Waiting....
Friday, August 17, 2007
Past Lives
Thursday, August 16, 2007
A Craving For Pain
Tuesday, August 14, 2007
Piper's World
Monday, August 13, 2007
Impossible Distances
The Unreliability of Memory
Saturday, August 11, 2007
"Repeat A Little"
Virtual objects belong essentially to the past...the virtual object is not a former present, since the quality of of the present and the modality of its passing here affect exclusively the series of hte real as this constituted by active synthesis. However, the pure past as it was defined above does qualify the virtual object; that is, the past the past as contemporaneous with its own present, as pre-existing the passing present and as that which causes the present to pass. Virtual objects are shreds of pure past" Giles Deleuze in Repetition and Difference, 101.
Last night, lying in bed between sleep and dream, drunk on Chilean white wine, and the a heady sultry summer night, I remembered something which I could not quite lay my mind on. Stories, half-formed, from books vaguley remembered. Stories of time lines running beside each other where other lives were lived. I thought about how somewhere there is another Ginger and H who married but have no children. And also a Ginger and H who did not make it. And another who never meet...and on and on...repeat a little.
And my thoughts did not end there because it is more complicated than just simply pararrell lives. There is not just the possibility of parareel lives but of mulitple lives that enfringe and touch upon each other. Those framgents of a pure past in which Ginger and H did not make enrich the lives of the Ginger and H who did make it. They exisit, fragmented, to haunt the lives that live out other possibilities.
Thursday, August 09, 2007
It's Just a Movie
History is our lost referential, that is to say our myth. It is by virtue of this fact that it takes the place of myths on the screen."
Jean Baudrillard
in conditions under which the false becomes the mode of exploration of the true, the very space of its essential disguises or its fundamental displacement: the pseudos here becomes the pathos of the True."
Giles Deleuze
I enjoy reading people's responses to books and movies. The amazon readers review provide me endless delight as do the viewers reviews on yahoo movies and IMBD. It's interesting to see how people respond to various media. So when I first saw the trailers for 300 I went to check out what people were saying. The initial buzz was one of excitement. People raved about the special effects, etc. Once the movie was releases the reviewers fell into two camps. One group decried the lack of historical accuracy well the other camp said "Hey chill, it's just a movie." I find, after watching this movie, and being a fan of historical movies, that I fall somewhere between the two camps.
For the most part, I agree with Baudrillard that history is a myth. I don't mean myth as in lie nor do I think does he. Rather history has become the story that we tell ourselves about our origin. It is interesting to me that the arguments which arise over "historical accuracy" are quite similar to the arguments that arise between fundamental Christians and their liberal counterparts over the accuracy of the Bible. We seem to have a lot in stake over "fact." What really happened, and what stories are permissible about what really happened. Yet can we ever really know these answers? Are these answers even achievable? What is a date but a date?
Thus when movie goer begins a critique with "Well it was a good movie but they got this detail all wrong..." I smile a little. How can we possibly KNOW what happened when Leonidas faced the Persian army with 300 men at his back? This story comes to us from a history written thousands of years ago. It has been translated, re-translated, etc, etc. What I want to ask these reviewers is this: Whose detail? Frank Miller's? Herodotus'? This demand for historical accuracy in a movie like 300 strikes me as quite beside the point. There is no historical accuracy to be found in such a tale. Only a myth. And myths are meant to be retold.
On the other hand, I do not agree with the idea that: Hey, it's just a movie." Movies as myths are more than lies. They are the stories that we tell ourselves about ourselves. What a good historical movie does is not give us accurate facts but rather takes lies, falseness, and gives us truth. The truth does not lie in any kind of notion of what really happened. Rather it lies in the virtual as pure past. It retells history in a way that tells us something about modernity, about our world. In 300, we see reflected back at us our attitudes about war and about freedom. The words from the Spartans' mouths have nothing to do with the myth of the Spartans (how can we ever know that) but rather these words reflect our own myths, and our own views on freedom. And I say "our" as in American. A good historical movie gives us what we need from the past. It takes historical myths and reworks them into the myths of the present. The false becomes the true. The reworking in movies like 300 and Elizabeth means that they are not just movies. They are our stories. They use history to create the aura of modernity.
Wednesday, August 08, 2007
Half Naked Men And Blood Lust

Tuesday, August 07, 2007
Good Advice from Sabines
Considering it Carefully
They tell me I ought to eercise to lose weight,
that around 50 it's very dangerous to smoke and be fat,
it's important to keep your figure,
and fight against time and age.
Well-meaning experts and friends who are doctors
recommend diets and systems
for prolonging life for a few more years.
I thank them with all my heart but I have to laugh
at such vain dodges and petty concern.
(Death also laughs at all such things).
The one bit of advice that I consider seriously
is to find a young woman to have in bed
because at this altitude
youth can reach us only by contagion.
Jamie Sabines
And suddenly the behavior of those men at the club makes sense....now does this work in reserve as well? Will those middle aged men suck away the youth and beauty of those young gazelles on their heels? Will they wake up morning, tired and wrinkled? And then the middle aged men filled with the women's vigor will seek out more youth...
Monday, August 06, 2007
One Hundred
At midnight, at the last moment of August, I think
sadly about the leaves that keep falling from the calendars.
I feel that I am the tree of calendars.
Every day, my child, that goes away forever, leaves me
asking: if someone who loses a parent is an orphan, if
someone who has lost a wife is a widower, what is the
word for someone who loses a child? What is the word for
someone who loses time? And if I myself am time, what is
the word for me if I lose myself?
Day and night, not Monday or Tuesday, nor August or
September, day and night are the only measure of our
duration. To exist is to last, to open your eyes and close
them.
Every night at this time, forever, I am the one who has lost
the day. (Even though I may feel, in the heart of this time,
the dawn climbing, like the fruit in the branches of the
peach tree).
Jamie Sabines
My one hundredth post. Wow. It came so suddenly...came approiately enough with the end of summer. This time of year when that familar panic hits. So much to do...so much shelved in favor of the pool, the park, a good book. And now the time is gone...even now I should be doing something else.
And this blog...this simple thing, this untouchable space floating in cyberspace has come to have some importance in my life. It entered me into a net of other writers, other thinkers, some known in body, others not. This blog launched feelings long forgotten. It awakened a certain sadness but also brought the joy that always lingers around sadness.
Saturday, August 04, 2007
Ginger Likes to Party All the Time...
We discovered soon, however, that our meager money wasn't going to last long in NoDa. Overpriced is an understatement. I paid seven dollars for a glass of Chilean Blanc. I expect bars to be over priced but this was a bit much. We were going to go to one of my favorite bars in another neighborhood. It's crowded on the weekends but it's relaxed, and you can talk and check people out. But one of the mom's decided she needed to go dancing. She had a cute little skirt so we agreed.
Mom2 pointed the minivan downtown (yes minivan), and we drove around trying to figure out where to go. We knew at that point we'd have to pay a cover and we didn't want to pay a cover. Mom1 knew someone who DJed this club, The Alley Cat. He was djing and got us in for free, and got us a free beer. The band sucked. His djing was standard. The crowd was young, half naked, and looking for sex. So not my scene now or ever. The only people close to our age, looked desperate (female) or with young blond things half their age (men). No one was doing much good at picking each other up. There was lots of Jr. High staring across the room. The band sucked. They played a Clash song and I was the only one bouncing. Sigh. Some gross moron tried to bounce like right on top of me, and I had to do some punk moves to get his skinny barely of the teen years ass off me. No I didn't get picked up. Okay one kid, and I do mean kid, said "You don't dance and you have a tattoo on your boob?" I said "Are you staring at my boobs?" and he shrugged and tried to sidled up. Sigh. I used my ice persona sarcasm to make him go away. And I got hit on by the 40 year old bouncer (big bald, likely drives a Harely) who told me in response to my "I'm too old for this club." "No you're not all the young girls here are douche bags."
Basically the experience was totally the same as when I was young. May be why I never went to clubs like this. What's funny is that I am much more confident now then when I was in my 20s. Those girls were so insecure and you could smell it on them. I remember feeling like. For all my insecurities now, it is nothing like it used to be. I realized that for the most part I feel sexy, act sexy, and am pretty confident that I am sexy. I'm healthier, have a better body, and eat better than I ever did in my 20s. And it scares people. I'd watch guys try to catch my eye, and when I looked directly at them they scurried. I don't think that had to do with me looking like some kind of monster. It just scared them that I didn't giggle, or act coy or hug my arms around my body. I like who I am so much more...
And I liked that I got to come home slightly drunk to my husband and my babies. Piper woke up as soon as I walked in and toddled out to me. H woke up soon after and we cuddled while I got Piper back to sleep. Made me glad I'm out of that meat market. But it was fun, and we're already planning our next night out...






